Finished September 2
The Robber of Memories: A River Journey Through Colombia by Michael Jacobs
Jacobs has long had an interest in Colombia and the Magdalena River, but it was a chance encounter with an again Gabriel Garcia Marquez that pushed him to this journey to follow the Magdalena River from its mouth at Barranquilla to its source at Páramo de las Papas.
The book has another focus as well. Jacobs' father had died following a decline into dementia and his mother, who is Italian, is suffering from advanced Alzheimer's. Marquez also suffered from dementia as he aged. There is a doctor in Colombia, that Jacobs meets up with on his journey, that has worked with a group of people from a specific area suffering from a type of Alzheimer's and identified a gene associated with that type.
And there is the nature of Colombia's political history, where the rebels and paramilitaries have caused a type of memory loss in its citizens, who must survive in this uncertain environment.
Jacobs covers the river's history, the political violence and literary allusions to the river to begin. While a map is provided, I found it more frustrating than useful as it did not include most of the places he visited. This is a continuing frustration I have with books that include maps that don't relate well enough to the contents of the book itself.
He spends a fair bit of time in Barranquilla, where the river ends, beginning his stay with the Hotel El Prado, the country's first tourist hotel, which opened in the 1930s. He makes contact with Juan Alberto Montoya at NAVESCO which moves cargo along the river and from there to Hector Cruz at Naviera Fluvial Colombiana.
Before the actual river journey, he makes a couple of sidetrips. One is to the Boca de Cenizas, a hazardous inlet where the Magdalena reaches the sea. For this, his pilot is Alejandro Henao. Another sidetrip is to Mompox, which is on a disused arm of the river. One his way to Mompox, he stops in La Gloria where he meets the famous Cristian Valencia of Biblioburro. In Mompox, he is a subject of interest, first connecting with Nando, an optician, and from there to a dentist and historian, a poet, and including a visit to the local cemetery.
His river journey begins on a tugboat called the Catalina which is pushing barges upriver destined for Barrancabermeja. He has a new Colombian friend who will be his companion for the journey, Julio Caycedo. The captain of the tugboat is Diomidio Raimundo Rosales, who often calls for the author using "Migueleeto." Other crew include Alfredo, who is in charge of the large tanks on one of the barges, Juan Cano, a young pilot, and the cook Leiva. The tug has trouble near the end in getting much past Gamarra. There is a particular windy part of the river which is difficult earlier as well, the Pinellos, partly because of low water. Honda is as far as most previous travellers get on the river itself. When he leaves the tugboat, he switches to a chalupa, which is a small fast boat.
Along the way, he meets human rights activists, journalists, the afore-mentioned Alzheimer doctor, friendly taxi drivers, hippie hostel owners, accommodating farmers, and yes, FARC members.
An interesting journey, with interesting people along the way.
Monday, 7 September 2015
Sunday, 6 September 2015
The Eye of the Day
Finished August 31
The Eye of the Day by Dennison Smith
This book begins in 1938 with an accidental explosion at Greensboro, a rural railway station in Vermont. At the station, Amos Cobb is a handyman with various employers and as the book begins is on a ladder stoking adding fuel for the engine. Aubrey Brown, age 11, is waiting on the platform with his father Everett for his mother who is expected on a passenger train shortly.
The explosion sends a spike from the train's body through Amos' head, entering his jaw, exiting through the top of his head and blinding one of his eyes. Aubrey gets a couple of small cuts from exploding light bulbs, but his thoughts immediately go to Amos, a man he likes and looks up to, and who worked as a handyman at his grandmother's summer home nearby. Aubrey's grandmother is a grand, opinionated lady who runs the lives of her daughter, son-in-law, and grandson as much as she is able to. Her daughter, Aubrey's mother Ruth, is delicate, having an enlarged heart, but a way of observing and listening that endears her to those around her. Aubrey's father Everett is an archeology professor, academic, absent-minded, but totally in love with his wife.
The following summer Ruth insists on hiring Amos despite his disfigurement, and the family is his sole employer that year. That summer Everett has a new camera that has caught the interest of Aubrey, and when he finds that Greta Garbo is staying on the lake that summer, he is determined to get a shot of her. He gets more than he bargained for, and his summer is derailed shortly thereafter.
We continue with Aubrey's story as he enters the orbit of his uncle, Jack Shaw of Standard Oil, and comes under the fascination of Jack's wife Ethyl.
Jack's orbit is large and high, and one of his close associates is Irénée du Pont, a man with much power and influence. With Jack, Aubrey goes to Mexico, Nazi Germany, Cuba, and the oil fields of Alberta, using his camera to capture the lives he comes across along the way.
Meanwhile Amos flees his home to avoid committing violence against his wife Donna and, unbeknownst to him gets accused of just what he hoped to avoid. He wanders, with some purpose, north and then west, finding a companion, Kona, along the way that understands him as no one else has, even Aubrey. But when his path crosses Jack's, his life is spun in another direction from what he wants, and he ends up in the war.
When Aubrey and Amos meet again near the end of World War II in Italy, they must understand each other in new ways, and find that they get along well. When one saves the other's life, the story changes again, and only one returns to the mountains of Vermont to try to find a life again in the ruins of his life.
The writing in the book is wonderful, and I found myself reading portions aloud to whoever would listen to me. I loved the imagery, the dialogue, the characters, the plot, everything about this book.
Here is a small example from Amos:
"I don't got a picture of Kona, but I figure those paintings of hell in the churches are there to make you think of Heaven, so I carry Donna around."
This is my favourite read this year so far, and I can't say enough good things about it.
The Eye of the Day by Dennison Smith
This book begins in 1938 with an accidental explosion at Greensboro, a rural railway station in Vermont. At the station, Amos Cobb is a handyman with various employers and as the book begins is on a ladder stoking adding fuel for the engine. Aubrey Brown, age 11, is waiting on the platform with his father Everett for his mother who is expected on a passenger train shortly.
The explosion sends a spike from the train's body through Amos' head, entering his jaw, exiting through the top of his head and blinding one of his eyes. Aubrey gets a couple of small cuts from exploding light bulbs, but his thoughts immediately go to Amos, a man he likes and looks up to, and who worked as a handyman at his grandmother's summer home nearby. Aubrey's grandmother is a grand, opinionated lady who runs the lives of her daughter, son-in-law, and grandson as much as she is able to. Her daughter, Aubrey's mother Ruth, is delicate, having an enlarged heart, but a way of observing and listening that endears her to those around her. Aubrey's father Everett is an archeology professor, academic, absent-minded, but totally in love with his wife.
The following summer Ruth insists on hiring Amos despite his disfigurement, and the family is his sole employer that year. That summer Everett has a new camera that has caught the interest of Aubrey, and when he finds that Greta Garbo is staying on the lake that summer, he is determined to get a shot of her. He gets more than he bargained for, and his summer is derailed shortly thereafter.
We continue with Aubrey's story as he enters the orbit of his uncle, Jack Shaw of Standard Oil, and comes under the fascination of Jack's wife Ethyl.
Jack's orbit is large and high, and one of his close associates is Irénée du Pont, a man with much power and influence. With Jack, Aubrey goes to Mexico, Nazi Germany, Cuba, and the oil fields of Alberta, using his camera to capture the lives he comes across along the way.
Meanwhile Amos flees his home to avoid committing violence against his wife Donna and, unbeknownst to him gets accused of just what he hoped to avoid. He wanders, with some purpose, north and then west, finding a companion, Kona, along the way that understands him as no one else has, even Aubrey. But when his path crosses Jack's, his life is spun in another direction from what he wants, and he ends up in the war.
When Aubrey and Amos meet again near the end of World War II in Italy, they must understand each other in new ways, and find that they get along well. When one saves the other's life, the story changes again, and only one returns to the mountains of Vermont to try to find a life again in the ruins of his life.
The writing in the book is wonderful, and I found myself reading portions aloud to whoever would listen to me. I loved the imagery, the dialogue, the characters, the plot, everything about this book.
Here is a small example from Amos:
"I don't got a picture of Kona, but I figure those paintings of hell in the churches are there to make you think of Heaven, so I carry Donna around."
This is my favourite read this year so far, and I can't say enough good things about it.
Last Train to Istanbul
Finished August 28
Last Train to Istanbul by Ayşe Kulin, translated by John W. Baker
This historical fiction novel is set before and during World War II. It centers around two Turkish sisters, Sabiha and Selva. They are the daughters of Fazil Reşat Paşa, one of the last Ottoman pashas, educated well, and raised to be enlightened. Sabiha, the oldest, does what is expected of her, marries Macit, a young man of good background who has a promising government job as a member of the general staff working in foreign affairs under President Inõnü.
Selva is more intelligent, the pride of her father, and knows her own mind. When she falls for a young man from a good family, Rafael Alfandári the problem is that he is Jewish. Both families are opposed, but Selva is determined. Once her family realizes that she won't do what they want, they agree to a civil marriage, but Fazil cuts her out of his life. Feeling ostracized, the young couple decide to start their lives in Paris, But when the Nazis move in, their situation becomes dangerous. They move to Marseilles where Rafo puts his money into a chemist shop where he also works, and Selva gives English and piano lessons. But their situation becomes more difficult, and now they have a child to consider as well, young Fazil, named for his grandfather.
Back in Turkey, Sabiha is very worried about her sister, trying to get Macit to intervene in some way, pleased when Tarik Arica, the young man from the diplomatic corps she has been tutoring in French gets a posting in Paris, hoping he can do what her husband Macit seems unable to and bring Selva home. The two sisters' stories work together to bring the real history of this time to life. We see the Turkish diplomats in Ankara, Paris, Vichy, and Germany working to save their citizens from all religious backgrounds, looking back at their long history of tolerance, and trying to stay neutral to keep their own country safe. We see the plight of other Jews in France as well, and how some of their histories entwine with those of the Turks.
A good read that will have your emotions involved with these characters.
Carpentaria
Finished August 22
Carpentaria by Alexis Wright
I bought this novel from Red Kangaroo Books as a souvenir when I visited Alice Springs in 2009, so about time I finally got around to reading it. The novel was the winner of the Miles Franklin Literary Award for 2007. Wright is a member of the Waanyi nation.
It is set in the gulf country of north-western Queensland around the town of Desperance. The town was settled by people named Smith some indeterminate time back. The aboriginals have split into two groups: the Westend Pricklebush people named by Norm Phantom, and the splinter group in the Eastend, led by Joseph Midnight. Norm had a strong-willed wife, Angel Day, with whom he had seven children, the daughters Girlie, Janice, and Patsy, and the sons Donny, Inso, Will, and Kevin. Donny and Inso work at the Gurfurrit mine that both supports the community with jobs, and kills the community through its activities. Kevin, the youngest, has disabilities that often confine him to bed with seizures. Will has his own part of the story here. Norm stuffs fish, making them seem alive again, and using his own secret mixture of ingredients to do so.
Angel eventually leaves Norm to take up with Mozzie Fishman, a religious figure who leads a convoy of aboriginal men through the desert on long trips of conversion, and moves to the Eastend.
One day a man walks out of the ocean, having lost everything in a storm, including most of his memory. His name is Elias Smith, and the two adopts him easily. He forms a friendship with Norm and often the two fish in the ocean together until the mayor, Stan Bruiser, conscripts Elias to be town watchman. When something goes horribly wrong in town, Elias is blamed and driven from the town, and the magical part of the story begins in earnest. Will is blamed, and local police officer Truthful E'Strange is searching for him, while drawn to one of his sisters.
This is a story of myths and politics, of white and aboriginal, of land and water. As the story began, the river was being renamed Normal from its previous Wangala, after Norm Phantom.
I would classify this book as a tale using elements of magic realism to tell the tale of colonialism, corporate greed, native rights, and the land itself. It refers to the ancestral serpent, the creator of Dreamtime, and the names of people both tell us about them and mislead us. Time is hard to pin down, and the elements are used to control the plot, moving people towards and apart from each other. This is a tale of depth, of layers and meanings that you have to think about. A wonderful book that I am already drawn to reread.
Carpentaria by Alexis Wright
I bought this novel from Red Kangaroo Books as a souvenir when I visited Alice Springs in 2009, so about time I finally got around to reading it. The novel was the winner of the Miles Franklin Literary Award for 2007. Wright is a member of the Waanyi nation.
It is set in the gulf country of north-western Queensland around the town of Desperance. The town was settled by people named Smith some indeterminate time back. The aboriginals have split into two groups: the Westend Pricklebush people named by Norm Phantom, and the splinter group in the Eastend, led by Joseph Midnight. Norm had a strong-willed wife, Angel Day, with whom he had seven children, the daughters Girlie, Janice, and Patsy, and the sons Donny, Inso, Will, and Kevin. Donny and Inso work at the Gurfurrit mine that both supports the community with jobs, and kills the community through its activities. Kevin, the youngest, has disabilities that often confine him to bed with seizures. Will has his own part of the story here. Norm stuffs fish, making them seem alive again, and using his own secret mixture of ingredients to do so.
Angel eventually leaves Norm to take up with Mozzie Fishman, a religious figure who leads a convoy of aboriginal men through the desert on long trips of conversion, and moves to the Eastend.
One day a man walks out of the ocean, having lost everything in a storm, including most of his memory. His name is Elias Smith, and the two adopts him easily. He forms a friendship with Norm and often the two fish in the ocean together until the mayor, Stan Bruiser, conscripts Elias to be town watchman. When something goes horribly wrong in town, Elias is blamed and driven from the town, and the magical part of the story begins in earnest. Will is blamed, and local police officer Truthful E'Strange is searching for him, while drawn to one of his sisters.
This is a story of myths and politics, of white and aboriginal, of land and water. As the story began, the river was being renamed Normal from its previous Wangala, after Norm Phantom.
I would classify this book as a tale using elements of magic realism to tell the tale of colonialism, corporate greed, native rights, and the land itself. It refers to the ancestral serpent, the creator of Dreamtime, and the names of people both tell us about them and mislead us. Time is hard to pin down, and the elements are used to control the plot, moving people towards and apart from each other. This is a tale of depth, of layers and meanings that you have to think about. A wonderful book that I am already drawn to reread.
What's In a Name Challenge 2015 Wrap-Up Post
What's In a Name Challenge
This challenge has to do with book titles and there are six categories. I finished this challenge in late August.
- A word including "ing" in it. The Nightingale by Kristin Hannah. Finished March 17
- A colour. A Spool of Blue Thread by Anne Tyler. Finished April 10
- A familial relationship The Crane Wife by Patrick Ness. Finished January 23
- A body of water I Curse the River of Time by Per Petterson. Finished February 16
- A city The Serpent of Venice by Christopher Moore. Finished August 18
- An animal The Yellow Eyes of Crocodiles by Katherine Pancol. Finished June 26
The Qualities of Wood
Finished August 20
The Qualities of Wood by Mary Vensel White
This novel is set near an unnamed town in the Midwest. The farmhouse where most of the story takes place was the home of Betty Gardiner. After her death, the house was passed down to her children, and her grandson Nowell has just moved into the house with his wife Vivian. Sherman, Nowell's father passed away years before, and his mother Beverley is managing the portion of the house that would have come to him. Nowell is working on his second novel and the couple has agreed to move into the house for a year while he writes and they fix up the house for sale.
Vivian works her way through the accumulated contents, sorting things into piles to keep, sell, donate and throw away. She had stayed on in the city for a while to earn more money to see them through the year and as she arrives the police have found a young woman's body in the woods behind the farm. Nowell's brother Lennie arrives a few days later with his new wife Dot, and the tension between the two brothers grows.
Vivian feels pushed away by Nowell as well as he retreats into his writing, and although she gets along with Dot and has made a friend in a local woman Katherine Wilton, she feels ill at ease. The two neighbours through the woods, bachelor Mr. Stokes and single mom, Kitty Brodie, now grieving her daughter, both have her wary.
With memories of her own lost in the woods experience, Vivian tries to make sense of what is happening, in the woods, in her new home, and in the small town dominated by descendents of the founder William Clement.
The Qualities of Wood by Mary Vensel White
This novel is set near an unnamed town in the Midwest. The farmhouse where most of the story takes place was the home of Betty Gardiner. After her death, the house was passed down to her children, and her grandson Nowell has just moved into the house with his wife Vivian. Sherman, Nowell's father passed away years before, and his mother Beverley is managing the portion of the house that would have come to him. Nowell is working on his second novel and the couple has agreed to move into the house for a year while he writes and they fix up the house for sale.
Vivian works her way through the accumulated contents, sorting things into piles to keep, sell, donate and throw away. She had stayed on in the city for a while to earn more money to see them through the year and as she arrives the police have found a young woman's body in the woods behind the farm. Nowell's brother Lennie arrives a few days later with his new wife Dot, and the tension between the two brothers grows.
Vivian feels pushed away by Nowell as well as he retreats into his writing, and although she gets along with Dot and has made a friend in a local woman Katherine Wilton, she feels ill at ease. The two neighbours through the woods, bachelor Mr. Stokes and single mom, Kitty Brodie, now grieving her daughter, both have her wary.
With memories of her own lost in the woods experience, Vivian tries to make sense of what is happening, in the woods, in her new home, and in the small town dominated by descendents of the founder William Clement.
The Readers' Advisory Guide to Genre Blends
Finished August 20
The Readers' Advisory Guide to Genre Blends by Megan M McArdle
This short guide gives an introduction to the topic of genre blendings, discussing the issues that arise with books that blend genres, the primary one being where to put things on the shelf if you have a collection that separates genres.
My library doesn't separate genres, but we do use spine labels to help guide patrons, and because we don't use multiple labels, this can result in similar issues.
Following the introduction and issues, this guide focuses on seven genres and the blends between them. A chapter is devoted to each genre, with an overview of the genre, a discussion of genre blending with that genre and sections discussing the blending with each of the other six genres. These sections include a look at three books that blend the two genres, sometimes with a third genre as a bonus, and two books that deflect readers back to the genre that most interests them of the two blended ones.
Genres covered here are Adrenaline, Fantasy, Historical Fiction, Horror, Mystery, Romance, and Science Fiction.
This is followed by a chapter on Whole Collection blends. This chapter looks more at format and offers genre blends in the formats of TV, Film, and Graphic Novel. For each of these formats, it looks at three examples, offering suggestions for the other formats and then gives a short list of other genre blends in the format discussed.
The next chapter is advice on how to do readers' advisory for genre blends, including suggested questions to ask readers, promotion ideas, and finding aids.
The last chapter is a discussion of genre blending with literary fiction, an interesting viewpoint on varieties of literary fiction. For me, this would be a path to guiding readers to books they may have classified as literary and therefore not of interest to them. By emphasizing the genre element in these literary or classic novels, we can expand readers' range and introduce them to new authors. McArdle gives 6 examples for each of the seven genres.
There is also an appendix of authors who are particularly adept at writing genre blends..
This is a good addition to any public library collection of readers' advisory tools, and a good resource for readers' advisory training for staff.
The Readers' Advisory Guide to Genre Blends by Megan M McArdle
This short guide gives an introduction to the topic of genre blendings, discussing the issues that arise with books that blend genres, the primary one being where to put things on the shelf if you have a collection that separates genres.
My library doesn't separate genres, but we do use spine labels to help guide patrons, and because we don't use multiple labels, this can result in similar issues.
Following the introduction and issues, this guide focuses on seven genres and the blends between them. A chapter is devoted to each genre, with an overview of the genre, a discussion of genre blending with that genre and sections discussing the blending with each of the other six genres. These sections include a look at three books that blend the two genres, sometimes with a third genre as a bonus, and two books that deflect readers back to the genre that most interests them of the two blended ones.
Genres covered here are Adrenaline, Fantasy, Historical Fiction, Horror, Mystery, Romance, and Science Fiction.
This is followed by a chapter on Whole Collection blends. This chapter looks more at format and offers genre blends in the formats of TV, Film, and Graphic Novel. For each of these formats, it looks at three examples, offering suggestions for the other formats and then gives a short list of other genre blends in the format discussed.
The next chapter is advice on how to do readers' advisory for genre blends, including suggested questions to ask readers, promotion ideas, and finding aids.
The last chapter is a discussion of genre blending with literary fiction, an interesting viewpoint on varieties of literary fiction. For me, this would be a path to guiding readers to books they may have classified as literary and therefore not of interest to them. By emphasizing the genre element in these literary or classic novels, we can expand readers' range and introduce them to new authors. McArdle gives 6 examples for each of the seven genres.
There is also an appendix of authors who are particularly adept at writing genre blends..
This is a good addition to any public library collection of readers' advisory tools, and a good resource for readers' advisory training for staff.
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