A Painted Doom by Kate Ellis
I was so enjoying the last Kate Ellis that I read I decided to immediately read the next one in the series. As is usual for this, there is an historical plotline that is gradually revealed through the archeological work that occurs in the novel and through letters or other writings that are given at the beginning of chapters. Here the historical is about the Merrivale family, a well-off family of the late 1400s that had links to the Earls of Devon, and who were loyal supporters of the House of Lancaster in the Wars of the Roses of that time. Recently, a skull was discovered when digging was done in an area of land not built on for some time, where a new town hall is planned for. Neil thinks that they may be excavating the foundations for a manor house of the Merrivale family.
Meanwhile, in the present, farmer Terry Hoxworthy is preparing an old barn on his land for possible sale. He has roped his teenage son Lewis into helping him, and Lewis makes a discovery in the old barn's loft that comes into play later in the plot. He also sees a large wooden panel with a disturbing scene painted on it that he recoils from. The following day, when the local planning agent comes by, he brings Neil with him to check for any historical significance relating to the old barn. Neil also discovers the panel, which he soon identifies as a 'painted doom', a panel often displayed prominently in churches to depict the horrors that awaited those who weren't destined for heaven.
Terry also finds something else on the property, a man's body, apparently a victim of murder. As the modern story unfolds, we get stories of the more recent past, the death of a minor celebrity, and, excitingly, a new coroner, a competent and confident young woman, Laura Kruger. We also see a different side of Gerry Heffernan, Wesley's superior, on both personal and professional levels.
I enjoyed seeing the development of the different repeating characters in the series, and seeing them in lives beyond the professional.
I liked learning about 'painted dooms' and their history. Bringing in the personal correspondence of the Merrivale family brought aspects of the story a more personal slant, and as always there is a modern day parallel to the story of what happened in the Merrivale family.
Altogether, a satisfying read.
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