Iona Iverson's Rules for Commuting

Finished May 7

Iona Iverson's Rules for Commuting by Clare Pooley

This gem of a novel follows a group of people who commute by train into London with Hampton Court being the other end of the line. They interact with each other as each faces work and life issues and get help in figuring out next steps. We see their stories from each person's viewpoint, and I really enjoyed how we noticed different things from seeing them from different eyes. This also lets us see the personal thoughts, concerns, and dilemmas they face. Each chapter tells you who the narrator is, the time, and the train location. 

The title character Iona is in her late fifties, flamboyant, opinionated, and proudly lesbian. She works as an advice columnist for a women's magazine, but is facing agism issues at her work, and dealing with a life challenge that is revealed later in the story. She has given nicknames to other commuters that she sees regularly and we find out their stories as they begin to interact with her. She also goes almost everywhere with her French bulldog Lulu. She also carries a bag that seems to contain just what is needed for any occasion. In the mornings it is a flask of tea, a cup and saucer, mail, and her iPad. In the evenings it is a glass and a flask of premixed gin and tonic, along with lemon slices

Smart-But-Sexist-Manspreader is an investment banker who dresses in bespoke suits ands has an arrogant attitude, but when he (Piers) almost dies in front of her on the train, a friendship gradually begins. Up until now, he has thought of Iona as Crazy Dog Lady. He is a man who is having a life crisis but still loves playing with numbers. 

Sitting next to Piers during the near-death incident is Impossibly-Pretty-Bookworm, a woman in her twenties who dresses well but not conservatively and is always reading a book. She is Emmie and works for an advertising agency. She also lives with a man Toby, that we see only briefly. She also begins getting occasional anonymous hateful messages that target her confidence. 

Coming to the rescue of Piers is Mr.-Too-Good-to-Be-True, otherwise known as Sanjay, a nurse. Sanjay has thought fondly of Iona as Rainbow Lady. Sanjay thinks of Emmie as Girl-on-the-Train and is working up to approaching her to ask her out. Sanjay suffers from anxiety, but tries to hide it from others. One of his ways to distract himself from an episode of anxiety is to recite the periodic table in order. 

Also coming into the story is Martha, a teenager struggling with fitting in and discovering her own identity. Her arrival is also a scene stealer as she vomits on Piers' computer. She has done something that creates a personal issue for her and needs help figuring a way to change her image. She also needs help in math. She thinks of Iona as Magic-Handbag-Lady. 

David enters the picture when his wife leaves a note in his lunch that has him wondering how to fix the situation. Iona, naturally offers assistance, helping him to plan an approach to this challenge in his life. 

I loved how Pooley brings the characters to life through their stories, and I found myself liking all of them as I knew them better. 

A fantastic read. 

Letters to a Young Poet with the Letters to Rilke from the "Young Poet"

Finished June 28

Letters to a Young Poet with the Letters to Rilke from the "Young Poet" by Rainer Maria Rilke and Franz Xaver Kappus, translated by Damion Searls

This is a classic, paired with the other half of the correspondence that it was part of. The letters are written over several months and were an interlude in both the writer's lives, with no significant connection between them beyond this. One thing that struck me was the relative closeness in age between the two, although Rilke had already launched his career. Rilke's writing, even in this private correspondence (never published until after his death) was much superior to that of Kappus. Kappus definitely sounds like a fanboy, and his writing includes a lot of fawning and thanking. 

Rilke is patient, thoughtful, and diplomatic. His writing stands the test of time, and in some cases was ahead of its time. One selection from Letter Seven is a great example:

The girl, the woman, in this new manner of unfolding specific to her, will only transitionally imitate masculine ways of being, both good and bad, and follow the same male callings, do the same male jobs. After the uncertainty of these transitions has passed, it will be clear that women have passed through this multiplicity of (often ridiculous) disguises only to purify their own essential nature from the distorting influences of the other sex. Women, in whom life dwells and tarries more immediately, more intimately, more fruitfully, must surely have become fundamentally more mature, more human human beings, than the easygoing man, not pulled down beneath the surface of life by any difficult bodily fruit, who overhastily, arrogantly undervalues what he thinks he loves. This humanity of the woman, carried to term through pain and humiliation, will come to light once her outward position has changed and she has thrown off her conventional status as "only a woman'; the men today who don't see this coming will be baffled and shattered. Someday (and trustworthy portents of this are already speaking and shining, especially in the countries of the north) -- someday there will be a girl, a woman, who name no longer signifies merely the opposite of male but something in and of itself, existing, alive, implying no limit and requiring no complement--; the female human being.

As you can see from this passage, the letters convey not just advice particular to the recipient, but general life advice and commentary that will help any young person with their struggles, and put things in perspective for them. I can see why Rilke's letters are a classic.